'What Constitutes Artist Success in the Australian Music Industries?'

M Evans - International Journal of Music Business Research …, 2013 - opus.lib.uts.edu.au
Contemporary artists embarking on a musical career enter into a highly competitive and
complex environment. Whereas the pre-digital music industries consisted of de-finable …

More than a day job, a fair job: music graduate employment in education

S Brook, R Comunian, S Jewell… - Music Education …, 2020 - Taylor & Francis
The focus on graduate employability for Creative Industries has tended to overlook the
significance of the education sector as a destination. This article makes a case for the …

Popular music education

D Hughes, M Evans, G Morrow, S Keith… - The New Music …, 2016 - Springer
Teaching popular music in higher education is multidimensional. This chapter considers
how best to train students for sustainable career trajectories within the new music industries …

The Popular Music Vocal Studio: Considerations for Creating an Effective Curriculum

K Reinhert - Commercial and Popular Music in Higher Education, 2022 - taylorfrancis.com
As higher popular music education (HPME) programs continue to make their way into
academia, it is important to consider the different skills and knowledge that vocalists will …

Music industry education: Current approaches and future directions

K Kelman - 2019 APME Conference: Celebrating Diversity in …, 2019 - eprints.qut.edu.au
In the late 1990s, the emergence of the digital era posed enormous challenges for the music
industry, but afforded the development of new business models and creative platforms on …

The Species of Capital and the Cultural Production of Hip-Hop

JK Meeker Jr - 2019 - rave.ohiolink.edu
Over the last forty years, hip-hop has evolved as a cultural form describing the impact of
racial marginalization experienced by African Americans. Contemporary research has …

The State of Play

D Hughes, M Evans, G Morrow, S Keith… - The New Music …, 2016 - Springer
The democratisation of music technologies and the digitisation of music practices have
resulted in the development and fragmentation of related industries. No longer a label …