Speech and music have structured rhythms. Here we discuss a major acoustic correlate of
spoken and musical rhythms, the slow (0.25–32 Hz) temporal modulations in sound intensity …

Periodic visual stimulation and analysis of the resulting steady-state visual evoked potentials
were first introduced over 80 years ago as a means to study visual sensation and …

Behavioral and brain rhythms in the millisecond-to-second range are central in human
music, speech, and movement. A comparative approach can further our understanding of …

Objective: Music and speech are complex signals containing regularities in how they unfold
in time. Similarities between music and speech/language in terms of their auditory features …

Here we review the role of brain oscillations in sensory processing. We examine the idea
that neural entrainment of intrinsic oscillations underlies the processing of rhythmic stimuli in …

Research in basic and clinical neuroscience of music conducted over the past decades has
begun to uncover music's high potential as a tool for rehabilitation. Advances in our …

Every human culture has some form of music with a beat: a perceived periodic pulse that
structures the perception of musical rhythm and which serves as a framework for …

Humans possess an ability to perceive and synchronize movements to the beat in music
('beat perception and synchronization'), and recent neuroscientific data have offered new …

The urge to move to music is universal among humans. Unlike visual art, which is manifest
across space, music is manifest across time. When listeners get carried away by the music …

Entrainment of cortical rhythms to acoustic rhythms has been hypothesized to be the neural
correlate of pulse and meter perception in music. Dynamic attending theory first proposed …