This textbook provides the first foundational introduction to the practice of analysing
multimodality, covering the full breadth of media and situations in which multimodality needs …

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Only recently, the broad research program of embodied cognition has fuelled a substantial
and ongoing body of research at the crossroads of cognitive science and film studies. Two …

Enacting the Worlds of Cinema offers a substantial reconfiguration of the textual roots of
modern film narratology. By giving sustained attention to cinema's material-affective modes …

This chapter begins with an understanding of cinematic empathy as an emotional process
that occurs when audience members perceive, imagine, or hear about a film character's …

The authors provide an interdisciplinary investigation of student videography for assessment
in higher education. Video is becoming a dominant communication modality in our world; …

The increasing interest in the effects of emotion on cognitive, social, and neural processes
creates a constant need for efficient and reliable techniques for emotion elicitation. Emotions …

The long-form television drama series Hannibal (Fuller 2013–2015) thematises the
embodied imagination and the elicitation of empathy and ethical understanding at the level …

This chapter highlights the special nature of Foley sounds, both in terms of their aesthetic
possibilities and their creation by expert performers in the production process. It argues that …

In its relatively short life, second screen interaction has evolved into a variety of forms of
viewer engagement. The practice of using two screens concurrently has become common in …