In these innovative essays, Vivian Sobchack considers the key role our bodies play in
making sense of today's image-saturated culture. Emphasizing our corporeal rather than our …

What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh – Senses of Cinema
Features Festival Reports Book Reviews CTEQ Great Directors Great Actors Special Dossiers …

Unsettling Sights: The Fourth World on Film examines the politics of representing
Aboriginality, in the process bringing frequently marginalized voices and visions, issues and …

In considering Jane Campion's early award-winning short films on through international
sensation The Piano and beyond, Kathleen McHugh traces the director's distinctive visual …

Since the late eighteenth century, when the piano first became available for the private
home, numerous female characters in literature have demonstrated their skill on the …

All of Jane Campion's feature films, if most notably The Piano, have generated intense and
dramatically polarized debate, especially among female spectators and critics. All make use …

DEBUNKING THE CULT OF TRUE WOMANHOOD 99 ern has been a historically masculine
space, it is a genre that has depended heavi ly on par tic u lar tropes of femininity. Jane …

By reviewing the acclaimed film scholar Vivian Sobchack's existential phenomenological
approach to film interpretation against the background of Alfred Lorenzer's" Depth …

The Piano Page 1 Mothers, Daughters, and (Absent) Fathers in Jane Campion’s The Piano “Mother.
I am your song. your lips. Your fingers trace curves of my speech. I am your echo. Carry your …

Throughout films and television series like The Piano, Bright Star, In the Cut and Top of the
Lake, Jane Campion has constantly explored gender, subjectivity and narrative …