Film remakes have often been neglected by translation studies in favour of other forms of
audiovisual translation such as subtitling and dubbing. Yet, as this article will argue …

The Amoy-dialect film industry emerged in the 1950s, producing cheap, b-grade films in
Hong Kong for direct export to the theatres of Manila Chinatown, southern Taiwan and …

WHEN ASKED in a recent interview what appealed to him about “rebooting a series that had
already been interpreted,” Christopher Nolan replied that when he undertook Batman …

Abstract The Netflix-branded film American Factory glaringly illustrates China's and the
United States's contrasting views on capitalism, propaganda, and labour rights. The film …

This chapter explores the history of remakes before moving onto the theoretical aspects of
remakes as a form of translation. It focuses on the early remakes and multiple-language …

In this essay, I propose mobility as a method for thinking literature as distributed repertoires,
using Hong Kong literature as an illustrative case. In speaking of literary mobility, we first …

Film remakes represent a form of cinematic translation that reconstructs various elements of
the original text. This article relies on the translation strategies of domestication and …

This paper explores the origins, rise, and rapid decline of the Amoy-dialect film industry—an
industry which was centered on the production of commercial Hokkien films in Hong Kong …

Bei**g artist Chi Peng (b. 1981), not yet thirty years old at this writing, uses innovative
technologies such as digital photography manipulated with Photoshop in Perception …

Abstract Zhang Yimou's A Woman, A Gun and A Noodle Shop (2009) remakes the Coen
brothers' Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting …