The main aim of the article is to provide up‐to‐date knowledge of environmental aesthetics
for an interdisciplinary audience, and to signal the importance of research in this area for …

It is generally agreed that aesthetic objects do not constitute a set of special objects, but
rather are determined by our attitudes and experiences. A consequence of this view is that …

Light pervades the world, and when it is not light, darkness emerges and is combated by
electric illumination. Despite this globally shared human experience in which spaces appear …

The roots of environmental aesthetics reach back to the ideas of eighteenth-century thinkers
who found nature an ideal source of aesthetic experience. Today, having blossomed into a …

Background The relevance of the early twentieth-century retrenchment of disinterestedness
and formalism to the development of environmental aesthetics is to be found in the fact that a …

The eighteenth-century naturalist Erasmus Darwin (grandfather of Charles) argued that
plants are animate, living beings and attributed them sensation, movement, and a certain …

This paper explores the practice of rewilding and its implications for environmental aesthetic
values, qualities and experiences. First, we consider the temporal dimensions of rewilding in …

This second edition of International Environmental Law, Policy, and Ethics revises and
expands this groundbreaking study into the question of why the environment is protected in …

Purpose–The paper's primary goals are three‐fold: to explore how disaster tourism serves
as a vehicle for self‐reflection in respect to how the disaster tour affects the tourist; to …

Valuation of nature is an important aspect of nature conservation and restoration.
Understanding valuation in a broad sense may contribute to conservation strategies since it …