The tangled web of UGC: Making copyright sense of user-generated content

D Gervais - Vand. J. Ent. & Tech. L., 2008 - HeinOnline
Even as a mere conceptual cloud, the term" user-generated content" is useful to discuss the
societal shifts in content creation brought about by the participative web and perhaps best …

Robustness check: evaluating and strengthening artistic use defences in EU trademark law

M Senftleben - IIC-International Review of Intellectual Property and …, 2022 - Springer
The 2015 EU trademark law reform introduced a peculiar rule for reconciling trademark
rights with freedom of artistic expression. According to Recital 21 EUTMR and Recital 27 …

The Copyright/trademark Interface: How the Expansion of Trademark Protection is Stifling Cultural Creativity

M Senftleben - 2020 - torrossa.com
In intellectual property law, overlaps of exclusive rights stemming from different protection
regimes raise particular problems. The protection available in one intellectual property …

[LIBRO][B] The protection of non-traditional trademarks: critical perspectives

I Calboli, M Senftleben - 2018 - books.google.com
This volume offers a detailed analysis of the issues related to the protection of non-
traditional marks. In recent years, the domain of trademark law and the scope of trademark …

The Remix Artist's Catch-22: A Proposal for Compulsory Licensing for Transformative, Sampling-Based Music

RM Vrana - Wash. & Lee L. Rev., 2011 - HeinOnline
And then in came Raekwon, and up went the confetti, and the security guys moved aside, as
instructed, and the kids streamed onto the stage from both sides, and within sixty seconds …

Theft, transformation, and the need of the immaterial: A proposal for a fair use digital sampling regime

R Ashtar - Alb. LJ Sci. & Tech., 2009 - HeinOnline
THEFT, TRANSFORMATION, AND THE NEED OF THE IMMATERIAL: A PROPOSAL FOR A
FAIR USE DIGITAL SAMPLING REGIME Page 1 THEFT, TRANSFORMATION, AND THE …

Music mashups: testing the limits of copyright law as remix culture takes society by storm

E Harper - Hofstra L. Rev., 2010 - HeinOnline
In an age where rapidly changing technology is transforming traditional methods of
communication and expression, many wonder if the laws of the twentieth century will suffice …

Vigeland and the Status of Cultural Concerns in Trade Mark Law – The EFTA Court Develops More Effective Tools for the Preservation of the Public Domain

M Senftleben - IIC-International Review of Intellectual Property and …, 2017 - Springer
The Vigeland decision of the EFTA Court is a milestone in the preservation of the public
domain of cultural creations. It paves the way for an important and welcome recalibration of …

Flexibility Grave – Partial Reproduction Focus and Closed System Fetishism in CJEU, Pelham

M Senftleben - IIC-International Review of Intellectual Property and …, 2020 - Springer
In the ongoing discussion about the impact of fundamental rights on EU copyright law, the
Pelham judgment of the Court of Justice of the European Union (CJEU) has received much …

I Own Therefore I Am: Copyright, Personality, and Soul Music in the Digital Commons

DD Troutt - Fordham Intell. Prop. Media & Ent. LJ, 2009 - HeinOnline
The problem is in this business that you don't own your product. If you record, it's the record
company that owns it; if you play at a club, it's the nightclub owners who charge people to …