Digital Technology: A Step to Protect Cave Art of Indian Subcontinent as National Heritage–A Review

B Ghosh, R Singh, M Sawant - Preservation, Digital Technology & …, 2024 - degruyter.com
The integration of digital technology, particularly virtual reality, is proving to be a pivotal tool
in preserving and sharing the rich cultural heritage found within Cave art sites. This article …

Dating Iberian prehistoric rock art: Methods, sampling, data, limits and interpretations

B Ochoa, M García-Diez, I Domingo, A Martins - Quaternary International, 2021 - Elsevier
Rock art dating has been one of the major challenges since its discovery and recognition.
The methods have evolved through the last century, beginning with the study of …

Paleolithic art: a cultural history

O Moro Abadía, MR González Morales - Journal of Archaeological …, 2013 - Springer
In this article we review the history of the terms and ideas that have been used to
conceptualize Paleolithic art since the end of the 19th century. Between 1900 and 1970 …

Application of line of sight and potential audience analysis to unravel the spatial organization of palaeolithic cave art

I Intxaurbe, D Garate, M Arriolabengoa… - … Method and Theory, 2022 - Springer
The endokarst landscape is the result of long erosion and sedimentation processes that
have modelled an environment in which capricious forms abound. Despite being a hostile …

The archaeology of art

AM Jones, A Cochrane - Materials, practices, affects, 2018 - api.taylorfrancis.com
Names: Jones, Andrew, 1967–| Cochrane, Andrew. Title: The archaeology of art: materials,
practices, affects/Andrew Meirion Jones and Andrew Cochrane. Description: New York …

Cave art in context: methods for the analysis of the spatial organization of cave sites

A Pastoors, GC Weniger - Journal of Archaeological Research, 2011 - Springer
Investigations of prehistoric cave art have long neglected the surrounding context: space,
archaeological objects, and imprints. As a result, an integrative structural approach that …

The art of making images: technological affordance, design variability and labour organization in the production of engraved artefacts and body paintings in Tierra del …

D Fiore - Journal of Archaeological Method and Theory, 2020 - Springer
This paper contributes to the conception of visual art as a material culture artefact produced
through a work process. Art-making work processes condense economic factors (raw …

[HTML][HTML] Virtual reconstruction of the Palaeolithic landscape in Santimamine cave (Bizkaia, Spain)

I Intxaurbe, M Arriolabengoa, D Garate, H Cheng… - Journal of …, 2023 - Elsevier
Santimamiñe Cave, in Biscay (North Spain) is a well-known archaeological site in the region
because of its prompt discovery and excavation in the early 20th century and its ensemble of …

[PDF][PDF] Style: Its role in the archaeology of art

ID Sanz, D Fiore - Journal of Archaeology, 2014 - academia.edu
Style has been and still is a core concept in the field of the archaeology of art for several
reasons, including the fact that it is a twofold term: on the one hand, it refers to a quality of …

The materiality of rock art: Image-making technology and economy viewed from Patagonia

D Fiore - Archaeologies of Rock Art, 2018 - taylorfrancis.com
This chapter develops a theoretical framework focused on the materiality of rock art. It
argues against a Cartesian ontology that locates art in an exclusively ideal/symbolic realm …