Every new edition of NIME brings dozens of new DMIs and the feeling that only a few of
them will eventually break through. Previous work tried to address this issue with a …

In this paper, we reflect on the focus of “newness” in NIME research and practice and argue
that there is a missing O (for “Old”) in framing our academic discourse. A systematic review …

In the NIME community, many new digital musical instruments experience limited use in
performance, or never progress beyond initial prototypes. For active, professional musicians …

This paper reports on the user-driven redesign of an embedded digital musical instrument
that has yielded a trio of new instruments, informed by early user feedback and co-design …

This paper presents the reactivation of Soundrise, an interactive multimedia application for
deaf children, as a case study to demonstrate the application of time-based media art …

This article questions the notion of ephemerality of digital musical instruments (DMI).
Longevity is generally regarded as a valuable quality that good design criteria should help …

Digital musical instruments are frequently designed in research and experimental
performance contexts but few are taken up into sustained use by active and professional …

This thesis introduces and demonstrates a method for studying the evolution of
userexperience (UX) with digital musical instruments (DMIs) over time. This work begins by …

Iterative design in DMIs and AMIs: expanding and embedding a high-level gesture vocabulary
for T-Stick and GuitarAMI Page 1 Iterative design in DMIs and AMIs: expanding and embedding …

The field of digital musical instrument (DMI) design is highly interdisciplinary and comprises
a variety of different approaches to develo** new instruments and putting them into artistic …