Non-rigid HCI: A review of deformable interfaces and input

A Boem, GM Troiano - Proceedings of the 2019 on Designing Interactive …, 2019 - dl.acm.org
Deformable interfaces are emerging in HCI and prototypes show potential for non-rigid
interactions. Previous reviews looked at deformation as a material property of shape …

[LIVRE][B] New digital musical instruments: control and interaction beyond the keyboard

ER Miranda, MM Wanderley - 2006 - books.google.com
In New Digital Musical Instruments Eduardo Miranda and Marcelo Wanderley focus on
musical instruments that use the computer as the main sound-generating device. Such …

The importance of parameter map** in electronic instrument design

A Hunt, MM Wanderley, M Paradis - Journal of New Music …, 2003 - Taylor & Francis
This paper presents a review of a series of experiments which have contributed towards the
understanding of the map** layer in electronic instruments. It challenges the assumption …

Evaluation of input devices for musical expression: Borrowing tools from HCI

MM Wanderley, N Orio - Computer Music Journal, 2002 - JSTOR
The widespread availability of high-performance, affordable personal computers has
brought a new wealth of possibilities regarding real-time control of musical parameters. In …

Map** performer parameters to synthesis engines

A Hunt, MM Wanderley - Organised sound, 2002 - cambridge.org
This paper considers the issues involved in the design of electronic and computer interfaces,
specifically map**-the designed link between an instrument's playing interface and its …

Input devices for musical expression: borrowing tools from HCI

N Orio, N Schnell, MM Wanderley - ar**%20transparency%20through%20metaphor-%20towards%20more%20expressive%20musical%20instruments.pdf" data-clk="hl=fr&sa=T&oi=gga&ct=gga&cd=6&d=4513255429582073964&ei=3Bq2Z8TZL4-w6rQP1uqXuAg" data-clk-atid="bLDXpOZNoj4J" target="_blank">[PDF] mit.edu

Map** transparency through metaphor: towards more expressive musical instruments

S Fels, A Gadd, A Mulder - Organised Sound, 2002 - cambridge.org
We define a two-axis transparency framework that can be used as a predictor of the
expressivity of a musical device. One axis is the player's transparency scale, while the other …

Go-with-the-Flow: Tracking, Analysis and Sonification of Movement and Breathing to Build Confidence in Activity Despite Chronic Pain

A Singh, S Piana, D Pollarolo, G Volpe… - Human–Computer …, 2016 - Taylor & Francis
Chronic (persistent) pain (CP) affects 1 in 10 adults; clinical resources are insufficient, and
anxiety about activity restricts lives. Technological aids monitor activity but lack necessary …

Strategies of map** between gesture data and synthesis model parameters using perceptual spaces

D Arfib, JM Couturier, L Kessous, V Verfaille - Organised sound, 2002 - cambridge.org
This paper is about map** strategies between gesture data and synthesis model
parameters by means of perceptual spaces. We define three layers in the map** chain …

MnM: a Max/MSP map** toolbox

F Bevilacqua, R Müller, N Schnell - New Interfaces for Musical …, 2005 - hal.science
In this report, we describe our development on the Max/MSP toolbox MnM dedicated to
map** between gesture and sound, and more generally to statistical and machine …