So far, NIME research has been mostly inward-looking, dedicated to divulging and studying
our own work and having limited engagement with trends outside our community. Though …

Today, music creation software and hardware are central to the workflow of most
professional composers, producers, and songwriters. Music is an aural art form, but it is …

In recent years, there has been an increase in awareness of the underrepresentation of
women in the sound and music computing fields. The New Interfaces for Musical Expression …

Movement-based interaction relies on the measurement and abstraction of human motion.
Yet reducing physical experience to quantitative and visual representations overlooks the …

Music creation technologies often use highly visual representations of music and
mouse/touch screen gestures for manipulating it. While graphic user interfaces can make …

This paper presents a collection of hardware-based technologies for live performance
developed by women over the last few decades. The field of music technology and interface …

In March of 2022, LivecoderA, a new live coding community came into being, coalescing
around the need to recognize a specific cohort of live coders who identify as women. The …

This contribution provides an overview of the Sound and Music Computing conference and
community over the course of its sixteen years. As a sequel to a previous corresponding …

In a paper presented at ICMC 1995 Mary Simoni hypothesized that “the reason there are so
few women in computer music is because the complex process of socialization has simply …

The body is widely considered the original human instrument, capable of producing sounds
through voice and movement. Breath propels internal sound outwards during speech …