Structured observation with polyphony: a multifaceted tool for studying music composition

J Garcia, T Tsandilas, C Agon, WE Mackay - Proceedings of the 2014 …, 2014 - dl.acm.org
Contemporary music composition is a highly creative and disciplined activity that requires
free expression of ideas and sophisticated computer programming. This paper presents a …

Longitudinal evaluation of the integration of digital musical instruments into existing compositional work processes

S Gelineck, S Serafin - Journal of New Music Research, 2012 - Taylor & Francis
This paper explores a longitudinal approach to the qualitative evaluation of a set of digital
musical instruments, which were developed with a focus on creativity and exploration. The …

Inksplorer: Exploring musical ideas on paper and computer

J Garcia, T Tsandilas, C Agon… - New Interfaces for Musical …, 2011 - inria.hal.science
We conducted three studies with contemporary music composers at IRCAM. We found that
even highly computer-literate composers use an iterative process that begins with …

Musical instrument map** design with Echo State Network

C Kiefer - 2014 - sussex.figshare.com
Echo State Networks (ESNs), a form of recurrent neural network developed in the field of
Reservoir Computing, show significant potential for use as a tool in the design of map**s …

Self-organised sound with autonomous instruments: Aesthetics and experiments

R Holopainen - 2012 - duo.uio.no
Autonomous instruments are computer programmes that generate music algorithmically and
without realtime interaction, from the waveform level up to the large scale form. This thesis …

[PDF][PDF] A malleable interface for sonic exploration

C Kiefer - Proceedings of the International Conference on New …, 2010 - nime.org
Input devices for controlling music software can benefit from exploiting the use of perceptual-
motor skill in interaction. The project described here is a new musical controller, designed …

Playing (in) the digital studio

E Hein - The Oxford handbook of technology and music …, 2017 - books.google.com
Technology has made it much easier to make music—not just to listen to music, or to perform
other people's music, but to create music: to conceive new ideas and realize them in …

TOUCHtr4ck: democratic collaborative music

A Xambó, R Laney, C Dobbyn - … of the fifth international conference on …, 2010 - dl.acm.org
When electronic musicians compose collaboratively, they typically use their own single-user
musical controllers. It may, therefore, be useful to develop novel controllers that support …

Stage metaphor mixing on a multi-touch tablet device

S Gelineck, D Korsgaard - Audio Engineering Society Convention 137, 2014 - aes.org
This paper presents a tablet based interface (the Music Mixing Surface) for supporting a
more natural user experience while mixing music. It focusses on the so-called stage …

[PDF][PDF] Psychedelic style and embodiment in psytrance

G Farrell - 2019 - researchgate.net
9 between artists, can be communicated in more subtle ways between listeners on the
dancefloor, like affect, gesture and bodily comportment. The contributions to knowledge I …