If, as several recent papers claim, we have entered a new wave of “Entanglement HCI,” then
we are still at a liminal stage prior to consensus around which sources underpin this …

As the field around computer-mediated musical interaction drives attention to its
sociotechnical, political and epistemological exigencies, it becomes important to be guided …

This article explores the evolving dynamics between musicians and technological artifacts.
Building on Karen Barad's concept of intra-action, I intend to show how musicians and digital …

The purpose of this paper is to study the correlation between attention and affective
response when a user interacts with the artistic installation MovieScape-an Extended …

This article provides historical context for the emergence of 'map**'as a key conceptual
metaphor in the context of digital musical instrument (DMI) design and use. In addition to a …

This special issue, emerging from a symposium organised in Helsinki in November 2022,
brings together contributions from a group of scholars, exploring the technoscientific …

AI tools increasingly shape how we discover, make and experience music. While these tools
can have the potential to empower creativity, they may fundamentally redefine relationships …

A soundscape is a sound environment of the awareness of auditory perception and social or
cultural understanding. To improve the subjective initiative of the Chinese classical music …

This paper presents a reflection on practice-led iterative musical instrument design. Using
the framework of autobiographical design, we recount the evolution of a Digital Musical …

Метою статті є дослідження основних складових технологічного процесу при формації
звукового супроводу аудіовізуального простору. Методологія дослідження базується на …