Music performance is inherently social. Most music is performed in groups, and even
soloists are subject to influence from a (real or imagined) audience. It is also inherently …

It is not unusual to experience a sense of total absorption, concentration, action-awareness,
distortion of time and intrinsic enjoyment during an activity that involves music. Indeed, it is …

Music is a tremendously powerful channel through which people develop their personal and
social identities. Music is used to communicate emotions, thoughts, political statements …

This paper introduces the musical haptic wearables for audiences (MHWAs), a class of
wearable devices for musical applications targeting audiences of live music performances …

Engagement is crucial to designing intelligent systems that can adapt to the characteristics
of their users. This paper focuses on the automatic analysis and classification of …

Smart musical instruments (SMIs) are a family of Internet of Musical Things devices for music
creation. They are characterized by sensors, actuators, embedded intelligence, and wireless …

Human-AI co-creativity involves humans and AI collaborating on a shared creative product
as partners. In a creative collaboration, communication is an essential component among …

The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and
ensemble performance, and demanded radical shifts in collaborative practices …

Reflection is underexplored in Creativity Support Tool (CST) research, partly due to its
ambiguous nature. We suggest that researchers could benefit from a measure of a CST's …

Group musical improvisation is a unique psychological phenomenon. Cognitive literature on
jazz musicians argues that creativity in improvisation is constrained by stylistic conventions …