Improtek: introducing scenarios into human-computer music improvisation
This article focuses on the introduction of control, authoring, and composition in human-
computer music improvisation through the description of a guided music generation model …
computer music improvisation through the description of a guided music generation model …
Combining real-time extraction and prediction of musical chord progressions for creative applications
Recently, the field of musical co-creativity has gained some momentum. In this context, our
goal is twofold: to develop an intelligent listening and predictive module of chord sequences …
goal is twofold: to develop an intelligent listening and predictive module of chord sequences …
Improtek: integrating harmonic controls into improvisation in the filiation of OMax
J Nika, M Chemillier - International Computer Music Conference (ICMC), 2012 - hal.science
We introduce ImproteK, a system integrating a rhythmic framework and an underlying
harmonic structure in a context of musical improvisation. In the filiation of the improvisation …
harmonic structure in a context of musical improvisation. In the filiation of the improvisation …
OMaxist dialectics
B Lévy, G Bloch, G Assayag - New Interfaces for Musical Expression, 2012 - hal.science
OMax is an improvisation software based on a graph representation encoding the pattern
repetitions and structures of a sequence, built incrementally and in real-time from a live Midi …
repetitions and structures of a sequence, built incrementally and in real-time from a live Midi …
[BOOK][B] Modeling musical anticipation: From the time of music to the music of time
A Cont - 2008 - search.proquest.com
This thesis studies musical anticipation, both as a cognitive process and design principle for
applications in music information retrieval and computer music. For this study, we reverse …
applications in music information retrieval and computer music. For this study, we reverse …
Extracting human expression for interactive composition with the augmented violin
M Kimura, N Rasamimanana, F Bevilacqua… - … Conference on New …, 2012 - hal.science
As a 2010 Artist in Residence in Musical Research at IRCAM, Mari Kimura used the
Augmented Violin to develop new compositional approaches, and new ways of creating …
Augmented Violin to develop new compositional approaches, and new ways of creating …
Machine improvisation with variable markov oracle: Toward guided and structured improvisation
In this article, we describe the Variable Markov Oracle and how it can be used in stylistic
machine music improvisation scenarios. A Variable Markov Oracle is a data structure …
machine music improvisation scenarios. A Variable Markov Oracle is a data structure …
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process
P Nguyen, E Tsabary - Organised Sound, 2024 - cambridge.org
Since the 1980s, deconstruction has become a popular approach for designing architecture.
In music, however, the term has not been absorbed as well by the related literature, with a …
In music, however, the term has not been absorbed as well by the related literature, with a …
Probabilistic extension to the concurrent constraint factor oracle model for music improvisation
M Toro - arxiv preprint arxiv:1602.02169, 2016 - arxiv.org
We can program a Real-Time (RT) music improvisation system in C++ without a formal
semantic or we can model it with process calculi such as the Non-deterministic Timed …
semantic or we can model it with process calculi such as the Non-deterministic Timed …
[PDF][PDF] An update on the SOMax project
L Bonnasse-Gahot - Ircam-STMS, Tech. Rep, 2014 - architexte.ircam.fr
This section offers a brief description of the OMax system. See Assayag and Dubnov (2004);
Assayag et al.(2006); Assayag and Bloch (2007); Lévy et al.(2012) for more information. The …
Assayag et al.(2006); Assayag and Bloch (2007); Lévy et al.(2012) for more information. The …