Approaches in intelligent music production

D Moffat, MB Sandler - Arts, 2019 - mdpi.com
Music production technology has made few advancements over the past few decades. State-
of-the-art approaches are based on traditional studio paradigms with new developments …

A deep learning approach to intelligent drum mixing with the wave-u-net

M Martinez Ramirez, D Stoller, D Moffat - 2021 - pearl.plymouth.ac.uk
The development of intelligent music production tools has been of growing interest in recent
years. Deep learning approaches have been shown as being a highly effective method for …

AI Music Mixing Systems

D Moffat - Handbook of Artificial Intelligence for Music …, 2021 - Springer
Mixing music, or music production, is the process of combining a series of different musical
tracks together, while applying a range of audio processing to blend the tracks together in a …

Context aware intelligent mixing systems

MN Lefford, G Bromham, G Fazekas, D Moffat - 2021 - pearl.plymouth.ac.uk
Intelligent Mixing Systems (IMS) are rapidly becoming integrated into music mixing and
production workflows. The intelligences of a human mixer and IMS can be distinguished by …

The impact of audio effects processing on the perception of brightness and warmth

G Bromham, D Moffat, M Barthet, A Danielsen… - Proceedings of the 14th …, 2019 - dl.acm.org
It is not uncommon to hear musicians and audio engineers speak of warmth and brightness
when describing analog technologies such as vintage mixing consoles, multitrack tape …

Dynamic range compression and the semantic descriptor aggressive

A Moore - Applied Sciences, 2020 - mdpi.com
Featured Application The current study will be of interest to designers of professional audio
software and hardware devices as it will allow them to design their tools to increase or …

Automatic mixing level balancing enhanced through source interference identification

D Moffat, M Sandler - Audio Engineering Society Convention 146, 2019 - aes.org
It has been well established that equal loudness normalization can produce a perceptually
appropriate level balance in an automated mix. Previous work assumes that each captured …

Semantic music production: A meta-study

D Moffat, B De Man, JD Reiss - Journal of the Audio Engineering …, 2022 - plymsea.ac.uk
This paper presents a systematic review of semantic music production, including a meta-
analysis of three studies into how individuals use words to describe audio effects within …

Adaptive ballistics control of dynamic range compression for percussive tracks

D Moffat, M Sandler - Audio Engineering Society Convention 145, 2018 - aes.org
Dynamic range compression (DRC) is a very commonly used audio effect. One use of DRC
is to emphasise transients in an audio signal. The aim of this paper is to present an …

Mixing with intelligent mixing systems: Evolving practices and lessons from computer assisted design

MN Lefford, G Bromham, D Moffat - 2020 - pearl.plymouth.ac.uk
Intelligent Mixing Systems (IMS) are being integrated into mixing workflows, however, there
is little discussion around how these technologies are impacting mixing practices. This study …