[HTML][HTML] Accessible digital musical instruments—a review of musical interfaces in inclusive music practice

E Frid - Multimodal Technologies and Interaction, 2019‏ - mdpi.com
Current advancements in music technology enable the creation of customized Digital
Musical Instruments (DMIs). This paper presents a systematic review of Accessible Digital …

Entangling entanglement: A diffractive dialogue on HCI and musical interactions

L Morrison, A McPherson - Proceedings of the 2024 CHI Conference on …, 2024‏ - dl.acm.org
If, as several recent papers claim, we have entered a new wave of “Entanglement HCI,” then
we are still at a liminal stage prior to consensus around which sources underpin this …

Hands-free accessible digital musical instruments: conceptual framework, challenges, and perspectives

N Davanzo, F Avanzini - IEEE Access, 2020‏ - ieeexplore.ieee.org
Exponential increases of available computational resources, miniaturization, and sensors,
are enabling the development of digital musical instruments that use non-conventional …

A NIME of the times: develo** an outward-looking political agenda for this community

F Morreale, SMA Bin, AP McPherson… - … Conference on New …, 2020‏ - pure.qub.ac.uk
So far, NIME research has been mostly inward-looking, dedicated to divulging and studying
our own work and having limited engagement with trends outside our community. Though …

Idiomatic patterns and aesthetic influence in computer music languages

A McPherson, K Tahıroğlu - Organised sound, 2020‏ - cambridge.org
It is widely accepted that acoustic and digital musical instruments shape the cognitive
processes of the performer on both embodied and conceptual levels, ultimately influencing …

NIME Identity from the Performer's Perspective

F Morreale, A McPherson, M Wanderley - 2018‏ - qmro.qmul.ac.uk
The term 'NIME'-New Interfaces for Musical Expression-has come to signify both technical
and cultural characteristics. Not all new musical instruments are NIMEs, and not all NIMEs …

Super size me: Interface size, identity and embodiment in digital musical instrument design

L Mice, AP McPherson - Proceedings of the 2022 CHI Conference on …, 2022‏ - dl.acm.org
Digital interfaces are shrinking, driven by pressures of mass production and consumer
culture, and often accompanied by a discourse of control, precision or convenience …

Useless, not worthless: Absurd making as critical practice

G Lepri, A McPherson, J Bowers - … of the 2020 ACM Designing Interactive …, 2020‏ - dl.acm.org
We report on the outcomes of a hackathon organised around the themes of absurd musical
interfaces, questionable sonic interactions and unworkable music designs. At the core of the …

[HTML][HTML] Embracing less common evaluation strategies for studying user experience in NIME

PJC Reimer, MM Wanderley - NIME 2021, 2021‏ - nime.pubpub.org
Assessment of user experience (UX) is increasingly important in music interaction
evaluation, as witnessed in previous NIME reviews describing varied and idiosyncratic …

Accessible instruments in the wild: engaging with a community of learning-disabled musicians

J Harrison, A Chamberlain, AP McPherson - Extended Abstracts of the …, 2019‏ - dl.acm.org
Disabled people face many barriers to access in all areas of life, including creative
expression. With music making, a lack of accessible instruments can be a major barrier, as …