Ecocide and large-scale ecological degradation raise critical questions regarding guilt,
justice, and responsibility. The complexity and scale of ecological violence present a …

This qualitative research explores the role of art and film in the Gukurahundi genocide (1983-
1987) that took place in Zimbabwe. Art and film play a significant role in post-conflict …

This article aims to reflect on the role of the image in the current post-truth era, as well as
focus on the concept of the image itself, a central object of study in the field of …

Genocide films have long contributed to public criminology's exploration into ethics,
responsibility and witnessing after atrocity. Whereas post-Holocaust theorisations of …

International criminal justice is filled with living, dead, and dying bodies. While witnesses
detail atrocities in the courtroom, such testimonies are largely considered for their …

Dieses Werk untersucht die Spuren, die der Friedenprozess mit der Guerrilla FARC-EP in
der kolumbianischen Fernsehfiktion hinterlassen hat. Dazu ergründet es das Phänomen …

This article aims to provide a contextual overview of the filmmaker–subject relationship in
documentary filmmaking. This topic is addressed in those documentary films that require the …

Este artículo analiza la figurabilidad del perpetrador en la película documental «El Mocito»
de Marcela Said y Jean De Certeau (2011). Se ha seguido la propuesta teórico …

Joshua Oppenheimer's diptych on the legacy of the 1965 anti-communist killings in
Indonesia provides scholars and researchers with insights into the lives of the victims and …

Can the perpetrator or the collaborator “speak”? How, and for whom? Do they have a “right
to a biography” and, if so, what are the terms of this right? Who can speak for them? In short …