In this review, it is explained and compared different software and formalisms used in music
interaction: sequencers, computer-assisted improvisation, meta-instruments, score …

Purpose–The purpose of this paper is to report research that sought to understand the
requirements of information systems designed to support people engaged in creative …

Score following research is one of the active disciplines of sound and music computing
since almost 30 years that have haunted both algorithmic and computational development in …

This thesis studies musical anticipation, both as a cognitive process and design principle for
applications in music information retrieval and computer music. For this study, we reverse …

Interactive media design is a field which has been researched as soon as computers started
showing audio-visual capabilities. A common research theme is the temporal specification of …

Though John Cage can be most easily identified as finding the influence of Japanese
garden design an irresistible artistic force for adaptation, other high profile architects such as …

This paper reports on ixiQuarks; an environment of instruments and effects that is built on top
of the audio programming language SuperCollider. The rationale of these instruments is to …

This article addresses the problem of the representation of time in computer-assisted sound
composition. We try to point out the specific temporal characteristics of sound synthesis …

This paper describes the audio human computer interface experiments of ixi in the past and
outlines the current platform for future research. ixi software [5] was founded by Thor …

This paper explores cognitive style as one of the factors that may explain tensions that can
exist between individual electroacoustic composers and the software they use. The …