Non-invasive and non-destructive examination of artistic pigments, paints, and paintings by means of X-ray methods

K Janssens, G Van der Snickt, F Vanmeert… - Analytical Chemistry for …, 2017 - Springer
Recent studies are concisely reviewed, in which X-ray beams of (sub) micrometre to
millimetre dimensions have been used for non-destructive analysis and characterization of …

Photochemistry of artists' dyes and pigments: Towards better understanding and prevention of colour change in works of art

C Miliani, L Monico, MJ Melo, S Fantacci… - Angewandte Chemie …, 2018 - Wiley Online Library
The absorption of light gives a pigment its colour and its reason for being, but it also creates
excited states, that is, new molecules with an energy excess that can be dissipated through …

X‐ray diffraction map** for cultural heritage science: a review of experimental configurations and applications

V Gonzalez, M Cotte, F Vanmeert… - … A European Journal, 2020 - Wiley Online Library
X‐ray diffraction (XRD) map** consists in the acquisition of XRD patterns at each pixel (or
voxel) of an area (or volume). The spatial resolution ranges from the micrometer (μXRD) to …

Sunlight-mediated lead and chromium release from commercial lead chromate pigments in aqueous phase

H Gao, P Wei, H Liu, M Long, H Fu… - Environmental science & …, 2019 - ACS Publications
Lead chromate pigments are included in a group of the most widely used pigments, which
account for 3% of worldwide lead consumption. This study reports the photoactivity of …

Best billiard ball in the 19th century: Composite materials made of celluloid and bone as substitutes for ivory

A Neves, R Friedel, MJ Melo, ME Callapez… - PNAS …, 2023 - academic.oup.com
The demystification of how 19th-century novelly designed materials became significant
elements of modern technological, economic, and cultural life requires a complete …

A first approach to the study of winsor & newton's 19th-century manufacture of madder red lake pigments

T Veiga, AJ Moro, P Nabais, M Vilarigues, V Otero - Heritage, 2023 - mdpi.com
This paper focuses on the first investigation of the 19th-century manufacture of red lake
pigments obtained from madder by Winsor & Newton (W&N), prominent artists' colourman at …

First evidence and characterisation of rare chrome-based colourants used on 19th-century textiles from Myanmar

D Tamburini, J Dyer, C Cartwright - Dyes and Pigments, 2023 - Elsevier
First evidence for the use of the chrome yellow dyeing method was obtained on late 19th-
century Karen textiles from Myanmar. Non-invasive observations obtained by digital …

A little key to oxalate formation in oil paints: protective patina or chemical reactor?

V Otero, M Vilarigues, L Carlyle, M Cotte… - Photochemical & …, 2018 - pubs.rsc.org
By means of synchrotron based techniques, we propose an integrated mechanism for the
degradation of 19th century chrome yellow oil paints based on pigment reconstructions from …

[HTML][HTML] Comprehensive characterization of modern industrial Argentinian paints for improved chronological painting attribution

F Castellá, M Pérez-Estebanez, M Reinoso… - Journal of Cultural …, 2024 - Elsevier
Throughout the twentieth century, the paint industry developed a multitude of new binding
media, pigments and additives that improved the appearance, ease of application, and …

Barium, zinc and strontium yellows in late 19th–early 20th century oil paintings

V Otero, MF Campos, JV Pinto, M Vilarigues, L Carlyle… - Heritage Science, 2017 - Springer
This work focuses on the study of the 19th century yellow chromate pigments based on
barium (BaCrO 4), zinc (4ZnCrO 4· K 2 O· 3H 2 O) and strontium (SrCrO 4). These pigments …