A framework for the evaluation of digital musical instruments

S O'modhrain - Computer Music Journal, 2011 - JSTOR
At the outset of a discussion of evaluating digital musical instruments (DMIs)-that is to say,
instruments whose sound generators are digital and separable (though not necessarily …

Music interaction: understanding music and human-computer interaction

S Holland, K Wilkie, P Mulholland, A Seago - Music and human-computer …, 2013 - Springer
We introduce, review and analyse recent research in Music and Human-Computer
Interaction (HCI), also known as Music Interaction. After a general overview of the discipline …

Sociocultural and design perspectives on AI-based music production: why do we make music and what changes if ai makes it for us?

O Bown - Handbook of Artificial Intelligence for Music …, 2021 - Springer
Sociocultural and Design Perspectives on AI-Based Music Production: Why Do We Make Music
and What Changes if AI Makes It for Us? | SpringerLink Skip to main content Advertisement …

[PDF][PDF] A user experience review of music interaction evaluations

D Brown, C Nash, T Mitchell - Proceedings of the …, 2017 - uwe-repository.worktribe.com
The need for thorough evaluations is an emerging area of interest and importance in music
interaction research. As a large degree of DMI evaluation is concerned with exploring the …

Physical interface design for digital musical instruments

M Marshall - 2009 - escholarship.mcgill.ca
This thesis deals with the study of performer-instrument interaction during the performance
of novel digital musical instruments (DMIs). Unlike acoustic instruments, digital musical …

[PDF][PDF] A survey and thematic analysis approach as input to the design of mobile music GUIs

A Tanaka, A Parkinson, Z Settel, K Tahiroglu - Proceedings of the …, 2012 - Citeseer
Mobile devices represent a growing research field within NIME, and a growing area for
commercial music software. They present unique design challenges and opportunities …

What is instrumentality in new digital msuical devices? A contribution from cognitive linguistics and psychology

C Cance, H Genevois, D Dubois - arxiv preprint arxiv:0911.1288, 2009 - arxiv.org
As far as music is concerned, instruments have always been part of a cultural?
landscape?(on technical, expressive and symbolic levels). The present contribution …

Chasing a Feeling: Experience in Computer Supported Jamming

B Swift - Music and human-computer interaction, 2013 - Springer
Improvisational group music-making, informally known as 'jamming', has its own cultures
and conventions of musical interaction. One characteristic of this interaction is the primacy of …

[HTML][HTML] Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical Expression

R Kleinberger, N Singh, X **ao, A van Troyer - NIME 2022, 2022 - nime.pubpub.org
We present a systematic review of voice-centered NIME publications from the past two
decades. Musical expression has been a key driver of innovation in voice-based …

Identifying engagement in children's interaction whilst composing digital music at home

C Ford, N Bryan-Kinns - Proceedings of the 14th Conference on …, 2022 - dl.acm.org
Identifying points of engagement from a person's interaction with computers could be used
to assess their experience and to adapt user interfaces in real-time. However, it is difficult to …