Winner of the 2015 PMIG Outstanding Publication Award from the Society of Music Theory
The DJs and laptop performers of electronic dance music use preexistent elements such as …

Live coding is almost the antithesis of immediate physical musicianship, and yet, has
attracted the attentions of a number of computer-literate musicians, as well as the music …

This paper describes the T-Stick, a new family of digital musical instruments. It presents the
motivation behind the project, hardware and software design, and presents insights gained …

This paper addresses the prevailing longevity problem of digital musical instruments (DMIs)
in NIME research and design by proposing a holistic system design approach. Despite …

This article presents a theoretical framework for the design of expressive musical
instruments, the Musical Interface Technology Design Space: MITDS. The activities of …

Using mobile devices as instruments in computer music is one of the goals of the “Pure Data
anywhere” project [5]. An obstacle we encounter is controllability, because most of the …

Background in digital musical instruments. A digital musical instrument (DMI) comprises a
control surface that controls the parameters of a digital synthesis algorithm in real time. In the …

This paper examines the notion of community as commonly employed within NIME
discourses. Our aim is to clarify and define the term through the community of practice …

Advances in machine learning have the potential to radically reshape interactions between
humans and computers. Deep learning makes it possible to discover powerful …

The new interfaces are changing the way we interact with computers. In the musical context,
those new technologies open a wide range of possibilities in the creation of New Interfaces …