Analysing and understanding the singing voice: recent progress and open questions

M Kob, N Henrich, H Herzel, D Howard… - Current …, 2011 - ingentaconnect.com
The breadth of expression in singing depends on fine control of physiology and acoustics. In
this review, the basic concepts from speech acoustics, including the source-filter model …

Discrete-time modelling of musical instruments

V Välimäki, J Pakarinen, C Erkut… - Reports on progress in …, 2005 - iopscience.iop.org
This article describes physical modelling techniques that can be used for simulating musical
instruments. The methods are closely related to digital signal processing. They discretize the …

Vocal tract resonances in speech, singing, and playing musical instruments

J Wolfe, M Garnier, J Smith - HFSP journal, 2009 - Taylor & Francis
In both the voice and musical wind instruments, a valve (vocal folds, lips, or reed) lies
between an upstream and downstream duct: trachea and vocal tract for the voice; vocal tract …

Vocal-tract impedance at the mouth-from 1995 to today A tribute to Joe Wolfe and John Smith

M Kob, J Thilakan, NH Bernardoni - Stockholm Music Acoustics …, 2023 - hal.science
The acoustic output signal of orators and singers contains information from the voice source
as well as from the articulatory organs. The extraction of formants to achieve information …

Synthesis and expressive transformation of singing voice

L Ardaillon - 2017 - hal.science
This thesis aimed at conducting research on the synthesis and expressive transformations of
the singing voice, towards the development of a high-quality synthesizer that can generate a …

Making music through real-time voice timbre analysis: machine learning and timbral control

D Stowell - 2010 - qmro.qmul.ac.uk
People can achieve rich musical expression through vocal sound {see for example human
beatboxing, which achieves a wide timbral variety through a range of extended techniques …

Overtone focusing in biphonic tuvan throat singing

C Bergevin, C Narayan, J Williams, N Mhatre… - Elife, 2020 - elifesciences.org
Khoomei is a unique singing style originating from the republic of Tuva in central Asia.
Singers produce two pitches simultaneously: a booming low-frequency rumble alongside a …

Voice source, formant frequencies and vocal tract shape in overtone singing. A case study

J Sundberg, B Lindblom, AM Hefele - Logopedics Phoniatrics …, 2023 - Taylor & Francis
Purpose: In overtone singing a singer produces two pitches simultaneously, a low-pitched,
continuous drone plus a melody played on the higher, flutelike and strongly enhanced …

[PDF][PDF] Post-soviet Tuvan throat-singing (xöömei) and the circulation of nomadic sensibility

RO Beahrs - 2014 - academia.edu
Guttural singing practices in the Sayan-Altai region of south-central Siberia have been
historically framed as possessing “nomadic” qualities linked with pastoral population groups …

Laryngeal mechanisms during human 4-kHz vocalization studied with CT, videostroboscopy, and color Doppler imaging

CG Tsai, YW Shau, HM Liu, TY Hsiao - Journal of Voice, 2008 - Elsevier
The objective of this study was to investigate the underlying laryngeal mechanisms during
the specific human 4-kHz vocalization. The laryngeal configuration during this vocalization …