[HTML][HTML] CAVI: A coadaptive audiovisual Instrument–Composition

C Erdem, B Wallace, AR Jensenius - NIME 2022, 2022 - nime.pubpub.org
This paper describes the development of CAVI, a coadaptive audiovisual instrument for
collaborative human-machine improvisation. We created this agent-based live processing …

Singing knit: soft knit biosensing for augmenting vocal performances

CN Reed, S Skach, P Strohmeier… - Proceedings of the …, 2022 - dl.acm.org
This paper discusses the design of the Singing Knit, a wearable knit collar for measuring a
singer's vocal interactions through surface electromyography. We improve the ease and …

Vrengt: a shared body-machine instrument for music-dance performance

C Erdem, KH Schia, AR Jensenius - ar** a shared instrument for music-dance
performance, with a particular focus on exploring the boundaries between standstill vs …

Surface electromyography for sensing performance intention and musical imagery in vocalists

CN Reed, AP McPherson - … of the Fifteenth International Conference on …, 2021 - dl.acm.org
Through experience, the techniques used by professional vocalists become highly ingrained
and much of the fine muscular control needed for healthy singing is executed using well …

Heart and Soul: The Ethics of Biometric Capture in Immersive Artistic Performance

LA Sparrow, C Galwey, B Loveridge, S Glasser… - Proceedings of the …, 2024 - dl.acm.org
Biometric data plays a multifaceted role in innovative artistic endeavours. As artists continue
to break new ground by integrating performers' biometric data into live performances, others …

The body as sound: Unpacking vocal embodiment through auditory biofeedback

CN Reed, AP McPherson - Proceedings of the Seventeenth International …, 2023 - dl.acm.org
Multi-sensory experiences underpin embodiment, whether with the body itself or
technological extensions of it. Vocalists experience intensely personal embodiment, as …

Surface electromyography for direct vocal control

C Reed, A McPherson - Proceedings of the International Conference on …, 2020 - nime.org
This paper introduces a new method for direct control using the voice via measurement of
vocal muscular activation with surface electromyography (sEMG). Digital musical interfaces …

RAW: Exploring control structures for muscle-based interaction in collective improvisation

Ç Erdem, AR Jensenius - Proceedings of the International Conference on …, 2020 - nime.org
This paper describes the ongoing process of develo** RAW, a collaborative body–
machine instrument that relies on'sculpting'the sonification of raw EMG signals. The …

[PDF][PDF] Exploring relationships between effort, motion, and sound in new musical instruments

C Erdem, Q Lan, AR Jensenius - Human Technology, 2020 - duo.uio.no
We investigated how the action–sound relationships found in electric guitar performance
can be used in the design of new instruments. Thirty-one trained guitarists performed a set of …

[PDF][PDF] Towards playing in the'Air': Modeling motion-sound energy relationships in electric guitar performance using deep neural networks

C Erdem, Q Lan, J Fuhrer, CP Martin… - Proceedings of the …, 2020 - duo.uio.no
In acoustic instruments, sound production relies on the interaction between physical objects.
Digital musical instruments, on the other hand, are based on arbitrarily designed action …