This article explores how computation opens up possibilities for new musical practices to
emerge through technology design. Using the notion of the cultural probe as a lens, we …

One of the reasons of why some musical instruments more successfully continue their
evolution and actively take part in the history of music is partially attributed to the existing …

There has been a growing interest in interactive visuals in contemporary dance
performances. These visuals often rely on embodied interaction techniques, such as motion …

The sonification of dance movements is a dynamic area of research in the experience of
interaction with sound, focusing on modulating sound synthesis within a complex …

Existing applications of mobile music tools are often concerned with the simulation of
acoustic or digital musical instruments, extended with graphical representations of keys …

This paper describes a recent composition, No More To-gether, in which performers'
interactions directly influence the sound of the piece. The composition provides a struc-ture …

Music moves us. It moves our body and our feelings. One needs to move the respiratory tract
to sing, hands and fingers to play a musical instrument, perhaps the whole body to dance …

This thesis presents the design, implementation and findings of a Virtual Reality Musical
Instrument (VRMI). The project was done under the direction of the Sound and Physical …

In this paper we present our solutions to the design challenges of facilitating awareness of
actions and development of self-identities within The notion of Participatory Enacting Sonic …

Since the turn of the 21st century, ground-breaking advancements in technology have led to
the emergence of a completely new 'species' of electronic musical instrument. These …