This is the first comprehensive, fully-researched account of the historical and contemporary
development of the traditional martial arts genre in the Chinese cinema known as wuxia …

In Race and the Senses, Sachi Sekimoto and Christopher Brown explore the sensorial and
phenomenological materiality of race as it is felt and sensed by the racialized subjects …

This article provides a phenomenological analysis of the author's transnational migratory
experience situated in historical and ideological contexts. Using vertigo as a metaphor, I …

Josephine Baker and Anna May Wong are two exceptions to white hegemony in early show
business. They became the first Afro-American and Chinese-American stars in the 1920s …

Novice Lee ('Frank') seeks world peace and thinks he has found it in the Liberal world order.
He informs the Learned One, head of the monastery. Through their discussions, Frank …

The Greater East Asian Film Sphere"(GEAFS) was a term that came into existence around
1941. Linked into the Japanese Imperialist idea of" the Greater East Asian Co-Prosperity …

The Chinese American actress Anna May Wong (1905–1961) is today considered an
ambivalent icon who, on the one hand, was the first Asian American film star to gain …

'Pourquoi une chinoise?'asks José Murano (Lou Castel), the replacement for director René
Vidal (Jean-Pierre Léaud) in the latter half of Irma Vep (1996, France), Olivier Assayas' meta …

The Japanese-made film Shina no yoru (China Nights, 1940) featured Ri Kōran, an
ethnically Japanese actress who masqueraded as Chinese both on and off the screen. The …

This article analyses the authenticity principles connected to Hollywood's portrayal of China
and the Chinese through three important American films screened or banned in China …