A multimedia approach to the diffusion, communication, and exploitation of Cultural Heritage
(CH) is a well-established trend worldwide. Several studies demonstrate that the use of new …

After decades of digitization, large cultural heritage collections have emerged on the web,
which contain massive stocks of content from galleries, libraries, archives, and museums …

When an author is defining a title for a book, simplicity is not the only watchword. The title
has to be easily remembered–and not necessarily by the potential readers who could, would …

Heritage and Social Media explores how social media reframes our understanding and
experience of heritage. Through the idea of 'participatory culture'the book begins to examine …

Photography: A Critical Introduction was the first introductory textbook to examine key
debates in photographic theory and place them in their social and political contexts, and is …

Why has it taken so long to make computers work for the museum sector? And why are
museums still having some of the same conversations about digital technology that they …

Virtual Reality proposes different innovative solutions for the fruition of tangible, intangible,
or no longer existing Cultural Heritage. The representation of architectural artifacts through …

Since the late 1990s the potential of the digital world for generating new ways of engaging
with heritage, broadly defined, has been a key focus of academic work and cultural practice …

This paper elaborates the empirical evidence of a usability evaluation of a VR and non-VR
virtual tour application for a living museum. The System Usability Scale (SUS) was used in …

Post-Critical Museology considers what the role of the public and the experience of
audiences means to the everyday work of the art museum. It does this from the perspectives …