Moving and making strange: An embodied approach to movement-based interaction design

L Loke, T Robertson - ACM Transactions on Computer-Human …, 2013 - dl.acm.org
There is growing interest in designing for movement-based interactions with technology,
now that various sensing technologies are available enabling a range of movement …

Social implications arise in embodied music cognition research which can counter musicological “individualism”

N Moran - Frontiers in psychology, 2014 - frontiersin.org
The agenda in music research that is broadly recognized as embodied music cognition has
arrived hand-in-hand with a social interpretation of music, focusing on the real-world basis of …

Open Sound Control: an enabling technology for musical networking

M Wright - Organised Sound, 2005 - cambridge.org
Since telecommunication can never equal the richness of face-to-face interaction on its own
terms, the most interesting examples of networked music go beyond the paradigm of …

Multimodal analysis of expressive gesture in music and dance performances

A Camurri, B Mazzarino, M Ricchetti, R Timmers… - … in Human-Computer …, 2004 - Springer
This paper presents ongoing research on the modelling of expressive gesture in multimodal
interaction and on the development of multimodal interactive systems explicitly taking into …

Machine learning education for artists, musicians, and other creative practitioners

R Fiebrink - ACM Transactions on Computing Education (TOCE), 2019 - dl.acm.org
This article aims to lay a foundation for the research and practice of machine learning
education for creative practitioners. It begins by arguing that it is important to teach machine …

Communicating expressiveness and affect in multimodal interactive systems

A Camurri, G Volpe, G De Poli, M Leman - Ieee Multimedia, 2005 - ieeexplore.ieee.org
Multisensory integrated expressive environments is a framework for mixed reality
applications in the performing arts such as interactive dance, music, or video installations …

Closed-loop control of gras** with a myoelectric hand prosthesis: Which are the relevant feedback variables for force control?

A Ninu, S Dosen, S Muceli, F Rattay… - IEEE transactions on …, 2014 - ieeexplore.ieee.org
In closed-loop control of gras** by hand prostheses, the feedback information sent to the
user is usually the actual controlled variable, ie, the grasp force. Although this choice is …

Music technology and alternate controllers for clients with complex needs

A Ward, T Davis, A Bevan - Music Therapy Perspectives, 2019 - academic.oup.com
Music technology can provide unique opportunities to allow access to music-making for
clients with complex needs. While there is a growing trend of research in this area …

[PDF][PDF] Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance.

R Aylward, JA Paradiso - NIME, 2006 - academia.edu
We describe the design of a system of compact, wireless sensor modules meant to capture
expressive motion when worn at the wrists and ankles of a dancer. The sensors form a high …

Understanding movement for interaction design: frameworks and approaches

L Loke, AT Larssen, T Robertson, J Edwards - Personal and Ubiquitous …, 2007 - Springer
The results of a study of two computer games, that use human movement as direct input,
were analysed using four existing frameworks and approaches, drawn from different …