Intelligent Music Production presents the state of the art in approaches, methodologies and
systems from the emerging field of automation in music mixing and mastering. This book …

Over the last few years, we have seen many approaches using tangibles to address the
limited expressiveness of touchscreens. Mainstream tangible detection uses fiducial …

This study compares the stage metaphor and the channel strip metaphor in terms of
performance. Traditionally, music mixing consoles employ a channels strip control metaphor …

This paper presents a tablet based interface (the Music Mixing Surface) for supporting a
more natural user experience while mixing music. It focusses on the so-called stage …

Object-based sound reproduction, on the one hand, allows sound engineers to interact with
sound objects, not only during production but also in the reproduction venue. On the other …

We present the digital musical instrument TouchNoise that is based on multitouch interaction
with a particle system. It implements a novel interface concept for modulating noise spectra …

This chapter presents an examination of the Channel Strip utilised on the traditional mixing
desk, followed by a critical analysis of the limitations stemming from its architectural design …

When workspaces for commercial music production are digitized they are generally
configured based on existing analogue music production environments, using the" channel …