In this work, we introduce ICON, an ontology that models artistic interpretations of artworks'
subject matter (ie, iconographies) and meanings (ie, symbols, iconological aspects) …

Describing cultural heritage objects from the perspective of Linked Open Data (LOD) is not a
trivial task. The process often requires not only choosing pertinent ontologies but also …

The perception of our heritage is based on sign-functions, which relate visual
representations to cognitive types, allowing us to make perceptual judgements over physical …

Within the recently launched SPICE project, citizen curation methods and tools are being co-
designed through five museum case studies in Finland, Ireland, Spain, Italy and Israel. In …

Scholarly analysis of archival, library, and literary sources results in a variety of digital
artefacts meant to foster knowledge discovery and new research enquiries. Guidelines and …

Purpose The purpose of this paper is to review ontologies and data models currently in use
for augmented reality (AR) applications, in the cultural heritage (CH) domain, specifically in …

This article relies on the idea that a semantically rich metadata layer is required in order to
provide an effective, intelligent, and engaging access to historical archives. However …

Abstract Digital Scholarly Editions (DSE) are a powerful tool for disseminating cultural
heritage. As long as Semantic Web technologies become a de facto standard for …

This paper explores the role of model and modelling in the field of Digital Humanities,
paying special attention to the cultural heritage domain. In detail, the approach here …

Critical debate as well as uncertain or subjective claims are pivotal elements in arts
scholarly analysis. Asserting such statements in RDF is hindered by the correct …