This highly-anticipated volume has been extensively revised to reflect changes in
technology, digital humanities methods and practices, and institutional culture surrounding …

This paper advocates the necessity of develo** a pragmatic alternative to the dominant
custodial theorization of digital curation as an “umbrella concept for digital preservation, data …

The genesis for this edited book was a two-day workshop entitled 'Cultural Heritage Creative
Tools and Archives'(CHCTA), hosted at the National Museum of Denmark, Copenhagen, 26 …

This chapter considers the impact and reach of digital methods in the humanities. Digital
methods are a core element of what has been called the “methodological commons”: the …

As a “grand challenge” for digital archaeology, I propose the adoption of programmatic
research to meet the challenges of archaeological curation in the digital continuum …

New types of digital data, tools, and methods, for instance those that cross academic
disciplines and domains, those that feature teams instead of single scholars, and those that …

Abstract This paper presents Jean-Claude Gardin's distinctive approach to archaeological
data, representation and knowledge in the context of his early engagement with semiotics …

Path‐breaking in theory and practice alike, digital humanities (DH) not only secures a larger
public audience for humanities and social sciences research, but also permits researchers …

In this paper we present the Scholarly Ontology (SO), an ontology for modelling scholarly
practices, inspired by business process modelling and Cultural-Historical Activity Theory …

Project Management (PM) 1 in publicly funded interdisciplinary research (IDR) 2 is an
emerging practice for academic scholars, one that derives from PM's origins in the industrial …