Abstract OpenSound Control (“OSC”) is a protocol for communication among computers,
sound synthesizers, and other multimedia devices that is optimized for modern networking …

When asked what musical instrument they play, few computer musicians respond
spontaneously with" I play the computer." Why not? In this re-port, we examine the problems …

Since telecommunication can never equal the richness of face-to-face interaction on its own
terms, the most interesting examples of networked music go beyond the paradigm of …

Body movement is integral to both performance and perception of music, and this
dissertation suggests that we also think about music as movement. Based on ideas of …

This paper is about map** strategies between gesture data and synthesis model
parameters by means of perceptual spaces. We define three layers in the map** chain …

Features and Future of Open Sound Control version 1.1 for NIME Page 1 Features and Future
of Open Sound Control version 1.1 for NIME Adrian Freed, Andy Schmeder Center for New …

In this paper, we examine the use of spatial layouts of musical material for live performance
control. Emphasis is given to software tools that provide for the simple and intuitive …

We summarize a decade of musical projects and research employing Wacom digitizing
tablets as musical controllers, discussing general implementation schemes using Max/MSP …

This paper presents our need for a Gesture Description Interchange Format (GDIF) for
storing, retrieving and sharing information about music-related gestures. Ideally, it should be …

Interactive systems are difficult to program, but high-level languages can make the task
much simpler. Interactive audio and music systems are a particularly interesting case …