Virtual Reality (VR) has vast potential for develo** systematic, interdisciplinary studies to
understand ephemeral behaviours in the archaeological record, such as the emergence and …

Approaches to Palaeolithic art have increasingly shifted beyond the traditional focus on
engraved or depicted forms in isolation, to appreciating the sensorial experience of art …

We present a revision of the concept of space in Palaeolithic cave art. Previous research
attempting to approach this notion encounters several gaps, which surface on multiple …

The creation of rock art in the deep areas of caves was one of the most unique symbolic
activities of Magdalenian societies in southwestern Europe between 13.5 and 21 thousand …

Il presente contributo si inserisce nell'ambito delle soluzioni per la fruizione digitale del
Patrimonio Culturale, sfruttando la realtà virtuale immersiva come strumento di accesso a un …

The European Upper Palaeolithic is rich in figurative cave art. In particular, prey animals are
often depicted in simple sche-matic outlines. The role and function of these depictions is sub …

This study explores the use of immersive Virtual Reality (VR) cave environments to
investigate hypotheses concerning altered states of consciousness, creativity, and flexible …

Children's agential behaviours in the archaeological record have often been overlooked.
Despite efforts to centre children in the past through 'an archaeology of childhood', there …

Abstract In the 1940s Nikolai Kaario, an artist and a decorative painter, discovered
seemingly old images on house walls in Turku, Finland. These findings generated …

The majority of Pleistocene figurative cave art in Western Europe consists of line drawings
depicting large herbivores from the side view, and outlines were sometimes abbreviated to …